Synchro! Synchro! (Album 2026)

Vomits

Noise Punk

Frustration, domination – feel the rage of a new generation! Lyrics that pop to one’s mind listening to „Synchro! Synchro!“. A Noise Punk debut forged in Waidhofen/Ybbs, between Vienna and Linz. They played e.g. with Lilac Vegetal before and now, they deliver eleven tracks in thirty minutes, that hit the listener like a punch in the face. 

With Bloodshed666 as label and Sounds of Subterrania for distribution on their side, Vomits got compared to likes of Eyehategod, Dead Kennedys, Unsane, The Stooges and others. For the artwork, they used pictures from the book „Golden Days Before They End“ displaying pubs and their inhabitants. 

And they found guest musicians like from Pulverin to support their DIY vision of the record. Matching the album cover, it starts with piano and trombone notes. But for sure, hell will break loose in this pub. Something’s crackling and there we go, Henry Rollins, Keith Morris and Al Jourgensen send their regards. 

„Buy A Kazoo“, who hasn’t had this idea, but Vomits actually do, accompanied by basically two chords and unstoppable drums like from Philthy ‚Animal‘ Taylor. Personal highlight is the groovy „Huso“: a pure live neckbreaker with an almost Metal flavour. 

„Knock Knock“, Eli Roth’s film goes, and the speed on the record with Exploited ending. After, the Noise part gets stronger like from Canvas. Vinyl side two is introduced with a meditation with game sounds, pumping the body, as the second half takes energy. 

With the muscles loosened, the mosh takes over in „Laugh To Laugh“ and „Bite The Bullet“. Smart changes in pace and breaks cheer on the crowd with earthy sound like Late!. The „Fine Line“ sets a heavy end, before piano and trombone take it home to the pub again. 

Vomits are a beast in a scene, „Synchro! Synchro!“ the feared jukebox button in the pub. Direct and raw, the live presentation is at Fleischrock Festival.